About
Follow/Share
Featured Designers
Le Carré series
Solo
An Object of Beauty
Procession of the Dead
Stuff
New Yorker Stories
Down and Delirious in Mexico City
The Financial Lives of Poets
30th Anniversary Hitchhiker's Series
You're a Horrible Person, But I Like You
Glover's Mistake
Listening to Trees
Role Models
Spine Series
Chekhov Series
Future Classics
Goethes Hinrichtung
Piracy
La Casa de los Amores Imposibles
Cork Boat
The Finger
The Dream of Perpetual Motion
Blacklands
The Marrowbone Marble Company
Bigfoot
The 6th Lamentation and The Gardens of...
The Mosaic Experiment
Chicago
Soulless, Changeless, Blameless
Dark Paradise
The 4 Phase Man
Jules Verne Series
This is My Book, This is Your Book
Great Short Works
Absolute Ronin
Kobo Abe
A Fraction of the Whole
Firefly Brothers
The Girl Who Ate Kalamazoo
Rest, Relax, Read Series
Alvin Lustig Covers
Yankee Invasion
Foundations of Faith Series
Vida de Vivos / Alexandria Quartet
Infidel Poetics
The Gone-Away World
Brief and Frightening Reign
The Nightingales of Troy
From Square One
Faber Films
Books From My Travels
The Interrogative Mood
This Will Kill You
The Affinity Bridge
Brothers
The Mad Ones
Irvine Welsh
Space Opera
Wet Apples, White Blood
Chester Himes Series
Vintage Classics
Was Superman A Spy?
Faber 80th Poetry Series
When We Were Romans
Ross Macdonald Series
The Unbinding
The Story of God
Perforated Heart
The Sherlock Holmes Series
Milk
Peter Mendelsund & Vertical Press
The Invisible Hook
Exit A
Giants of Jazz
James Bond Collection
Beasts!
Anna Blundy Series
Against Happiness
Peter Carey Backlist
Chicago
The Little Giant of Aberdeen County
Great Journeys
Jules Verne Series
The Little Sleep
Counterpoint: Daniel Libeskind
Mondadori Poetry Series
2666
Authors of the Storm
Hollow Earth
Sea of Poppies UK Edition
Sea of Poppies US Edition
The Dark Stuff
Twisted Head
Llosa Series
Bella Ciao/Flieh Mit Dem Lowen/Die Erb...
The Secret Life of Cowboys
In The Woods
The Art of Redemption
Foreigners
The 351 Books of Irma Arcuri
Sedaris
Accidentally on Purpose
The Worst Years of Your Life
8
Stephen King Series
Paddy Whacked
St. Cyborg's
Obsession


Previous / Next image (1 of 1)




30th Anniversary Douglas Adams Hitchhikers Series
Author: Douglas Adams
Art Direction: Carl Rush
Designer: Chris Pelling from Crush Creative
Illustration: Jonny Mac from Crush Creative
Publisher: Pan Macmillan
Genre: Science Fiction/Comedy

I was blown away when I first saw this series. So much fun. I need to track down a set of these. Amazing work by Crush Creative. Thank you Carl for taking time to share your process. Truly inspiring work. —Charles


How did you become a book cover designer?
My Background in design started working for the music industry designing record covers. When I set Crush up 11 years ago this was the area I worked in mostly, but after about 2 years the record companies started to struggle and the days of decent budgets for designers in the music indusrty was over. I’m sure there are a few jobs still around, but at the time I couldn’t risk sticking to what I knew... It was time to look for other avenues of work. In 2002 I had a lucky break and won a big project for Heineken in Amsterdam. This job lasted for for 4 years and paid all the bills. Because I had regular work which paid well it meant I could take on some smaller (less well paid) interesting jobs - This took the form of book cover design.

What do you enjoy about your job?
With book cover design it really gives us a chance to think laterally. We work in lots of areas of design but book cover design probably produces our most visually stunning work. For us Book covers are replacement for record cover design.


ABOUT THE 30TH ANNIVERSARY HITCHHIKER'S SERIES:
Who do you see as the audience for this book?
The audience was massive. This is a HUGE book in the UK. There are Hitchhiker conventions, countless number of fan sites, blogs, TV series, movies! You name it - People are NUTS about these books. Over 15 Million copies have been sold!

What is the book about?
Now there’s a tricky one to explain. Best head to Wiki

Were there any constraints from the client?
No - The brief was totally open -Do what you like...
That made the job a little daunting. Chris who worked on the project was a big fan of the books, so it felt like a great pressure to come up with something stunning.

PROCESS:
Were there any steps taken before you started designing?
Chris had read all the books, I had read the first, so it was a case of refreshing ourselves with the stories, work out what some of the key storylines were and get a list together or what was important.

Was there a clear working process that led to the final?
I guess so... We submitted 3 different routes, one of which was the idea that we produced a cover with no design on the front. Radical yes! The idea was there there wouldn’t be a design but a sticker on the front would announce: DON’T PANIC - DIY COVER - STICKERS INCLUDED INSIDE. The reader was then encouraged to create their own cover from a set of stickers...

Did you collaborate with anyone? How was that process?
We created everything in house.

Were there any known influences that led to your solution?
YES. - In the series, DON'T PANIC (always upper-case) is a phrase written on the cover of The Hitchhiker's Guide to the Galaxy.[26] The novel explains that this was partly because the device "looked insanely complicated" to operate, and partly to keep intergalactic travelers from panicking.[27] It is said that despite its many glaring (and occasionally fatal) inaccuracies, The Hitchhiker's Guide to the Galaxy itself has outsold the Encyclopedia Galactica because it is slightly cheaper, and because it has the words "Don't Panic" in large, friendly letters on the cover.[26]

Did the project have any unique struggles?
You know what... This was such a dream to work on. What was most important about this job was the faith of the publishers. It was the publishers that made this happen. We always try to push the boundaries of design and will always submit a range of ideas from 'safe' to more 'radical'. Sadly publishing companies will often go for the safe option. This is not the decision of the art directors or the designers that commission us, Oh No! they ask Crush to come up with ideas because they know they will get the unexpected. The problem seems to come when the sales teams get hold of the designs. If it’s not something they have seen before, or know that a cover style worked last time, so lets just do it again... Then Sales are less likely to take a risk on a cover design. However saying that The Hitchhikers project was different. The Creative Director worked hard to get it past sales and then once the cover was approved the marketing department really got behind it.

Some of the initial ideas.
Previous / Next image (1 of 1)


Previous / Next image (1 of 1)



Previous / Next image (1 of 1)



(and the idea that was developed into the final look) blank covers with attached stickers.
Previous / Next image (1 of 1)



Second stage of developed idea
Previous / Next image (1 of 1)



Once the covers were done and approved, the marketing department approached us to create all the digital and print marketing. Firstly we designed the website. We also created an animation (a book trailer).



And then they asked us to create an online game of some sort. We thought long and hard about this but realized to build a little flash game - maybe a shoot em up or something, might not be the best approach. Would it be fun? Would it be funny? Most importantly Would it sell book? So we brainstormed the idea a little longer and came up with a marketing plan to create a twitter account for Marvin the paranoid android.
You can follow him here: Marvin
We asked our friends at Modern Toss to write 400 tweets in the style of Marvin (miserable) and then gave those lines to the marketing department to tweet out on the build up to the release of the book.

I’ve joined an online dating agency. I’ve listed my main hobby as staring into the black void of infinity. No takers so far.

Had a nice chat with a set of traffic lights. Bit formal. Got the feeling he was stuck in a bit of a rut.

Pardon me for breathing, which I never do any way so I don't know why I bother to say it, oh God, I'm so depressed.

Wearily on I go, pain and misery my only companions. And vast intelligence, of course. And infinite sorrow.

Caught myself staring at the wall again. Even the wall’s starting to look a bit uncomfortable about it.




We also created all the printed marketing materials and even an embroidered beach towel (if you know the books, this makes perfect sense)

Previous / Next image (1 of 1)
{image 8


MEANING:
What is the message behind the design?
The essence of the story (I hope)

What would you say makes this an effective design?
The publishers having the courage to go with a new idea.

What’s something unique you learned while working on this project?
Don’t be frightened to submit real ideas. Sometimes they do stick.


Add Comment